“I was interested in the idea of why and how I could create a new story, a new narrative in art history and a new narrative in the world. And to do this, I knew that I had to see the way in which artists work, understand the artist’s studio as a laboratory, imagine, then, reinventing the museum as a think tank and looking at the exhibition as the ultimate white paper — asking questions, providing the space to look and to think about answers.”
“Can a museum be a catalyst in a community? Can a museum house artists and allow them to be change agents as communities rethink themselves?…. Think about artists, not as content providers, though they can be brilliant at that, but, again, as real catalysts.”
Artist Nathalie Miebach takes weather data from massive storms and turns it into complex sculptures that embody the forces of nature and time. These sculptures then become musical scores for a string quartet to play. (Via TED).
“Weather is an amalgam of systems that is inherently invisible to most of us. So I use sculpture and music to make it, not just visible, but also tactile and audible.”
“This piece here is read very differently depending on where you place it. You place it in an art museum, it becomes a sculpture. You place it in a science museum, it becomes a three-dimensional visualization of data. You place it in a music hall, it all of a sudden becomes a musical score. And I really like that, because the viewer is really challenged as to what visual language is part of science versus art versus music.”